press work

One of my favorite things about living in New York City is having access to so many incredible arts and cultural events. This month, I’ve been spending a few evenings at the Downtown Urban Arts Festival (DUAF), and I can confidently say it has been one of my favorite discoveries. So far, I’ve attended:

June 4
- Fried Live Skin by Edwin Rivera-Arias
- Amendable by Cris Eli Blak
June 11
- A Lesson in Captivity by Daniel Damiano
- Gin & Milk by Antony Raymond
June 17
- Whiskey, Hope, and the Climate Clock by Marissa Raine Carlin (Book, Music, & Lyrics) & Carter Quinn Tanis (Book & Music)
- Sing Truth to Power by Howard Ho

Now in its 24th season, the Downtown Urban Arts Festival is dedicated to amplifying multicultural voices through theater, poetry, music, and performance art. Since its founding in 2001, DUAF has provided a platform for emerging and established artists to share stories that reflect the diverse experiences of our communities.

As someone who attends a variety of conventions, cultural festivals, and live events throughout the year, I always appreciate opportunities to experience storytelling in different forms. What immediately stood out to me about DUAF was the passion and authenticity behind every performance. Each evening brought together artists who were eager to share meaningful stories, and audiences who were equally excited to support independent and diverse voices in the arts.

No two nights felt the same. Every visit introduced me to new playwrights, performers, and perspectives. Some productions made me laugh, others encouraged reflection, and many sparked conversations long after the curtain call. There is something special about experiencing new works in development and witnessing the creative energy that fuels New York City’s theater community.

One of the festival’s greatest strengths is its commitment to representation. The stories presented at DUAF highlight cultures, identities, and lived experiences that are often underrepresented in mainstream entertainment. In a city as diverse as New York, festivals like DUAF play an important role in ensuring that a wide range of voices have the opportunity to be heard.

Beyond the performances themselves, I also enjoyed the welcoming atmosphere. Whether you’re a dedicated theatergoer or someone looking to explore the arts for the first time, DUAF creates an environment that feels accessible and inclusive. It’s the kind of event where you can simply show up with an open mind and leave having discovered something new.

As I write this, I’m preparing for my fourth visit to the festival on Friday, June 19 to see the play my father could not read or write by Kevin Powell. After three consecutive weeks of memorable performances, I’m excited to see what the next evening will bring.

Kevin Powell – Photo Credit: Evangeline Lawson

If you’re looking for a unique cultural experience in New York City, I highly recommend checking out the Downtown Urban Arts Festival before the season concludes. Supporting festivals like DUAF means supporting artists, storytellers, and the continued growth of diverse voices in the performing arts.

For more information about upcoming performances, tickets, and the festival schedule, visit the Downtown Urban Arts Festival website. You may just discover your next favorite playwright, performer, or production.

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Yesterday, I had the opportunity to check out “The Merchant of Venice” in NYC as a member of the press. ARLEKIN & MART Foundation in association with Jadow Productions presented “The Merchant of Venice” in residence at Classic Stage Company (CSC), the Off-Broadway theater company known for its intimate productions and commitment to exploring and reimagining classic works. William Shakespeare’s “The Merchant of Venice” is a play that has sparked debate for centuries due to its portrayal of Shylock, the Jewish moneylender. While often categorized as a comedy, the play delves into uncomfortable themes of anti-Semitism, revenge, and the nature of justice.

Igor Golyak, the director of this production, reimagines the play as part of a live television show, with the audience attending the play as the live studio audience. A central focus of this reimagining is the character of Shylock. Golyak’s production aims to present a more nuanced portrayal of this complex figure, moving beyond stereotypical interpretations to explore the motivations behind his actions. By humanizing Shylock, “The Merchant of Venice” encourages audiences to confront their own biases and consider the devastating consequences of prejudice.

The show features a stellar cast led by Richard Topol as Shylock, Alexandra Silber as Portia, and T.R. Knight as Antonio. The production also features the talents of Gus Birney, Tess Goldwyn, José Espinosa, Stephen Ochsner, Delilah Napier, Noah Pacht, and Elan Zafir, each bringing their unique energy and skill to this dynamic ensemble.

“The Merchant of Venice” ran from November 22 to December 22, 2024 at Classic Stage Company – Lynn F. Angelson Theater, 136 East 13th Street, New York, NY 10003.