Discovering New Voices at the Downtown Urban Arts Festival

One of my favorite things about living in New York City is having access to so many incredible arts and cultural events. This month, I’ve been spending a few evenings at the Downtown Urban Arts Festival (DUAF), and I can confidently say it has been one of my favorite discoveries. So far, I’ve attended:

  • June 4
    • Fried Live Skin by Edwin Rivera-Arias
    • Amendable by Cris Eli Blak
  • June 11
    • A Lesson in Captivity by Daniel Damiano
    • Gin & Milk by Antony Raymond
  • June 17
    • Whiskey, Hope, and the Climate Clock by Marissa Raine Carlin (Book, Music, & Lyrics) & Carter Quinn Tanis (Book & Music)
    • Sing Truth to Power by Howard Ho
Edwin Rivera-Arias

Now in its 24th season, the Downtown Urban Arts Festival is dedicated to amplifying multicultural voices through theater, poetry, music, and performance art. Since its founding in 2001, DUAF has provided a platform for emerging and established artists to share stories that reflect the diverse experiences of our communities.

As someone who attends a variety of conventions, cultural festivals, and live events throughout the year, I always appreciate opportunities to experience storytelling in different forms. What immediately stood out to me about DUAF was the passion and authenticity behind every performance. Each evening brought together artists who were eager to share meaningful stories, and audiences who were equally excited to support independent and diverse voices in the arts.

Marissa Raine Carlin

No two nights felt the same. Every visit introduced me to new playwrights, performers, and perspectives. Some productions made me laugh, others encouraged reflection, and many sparked conversations long after the curtain call. There is something special about experiencing new works in development and witnessing the creative energy that fuels New York City’s theater community.

One of the festival’s greatest strengths is its commitment to representation. The stories presented at DUAF highlight cultures, identities, and lived experiences that are often underrepresented in mainstream entertainment. In a city as diverse as New York, festivals like DUAF play an important role in ensuring that a wide range of voices have the opportunity to be heard.

Howard Ho

Beyond the performances themselves, I also enjoyed the welcoming atmosphere. Whether you’re a dedicated theatergoer or someone looking to explore the arts for the first time, DUAF creates an environment that feels accessible and inclusive. It’s the kind of event where you can simply show up with an open mind and leave having discovered something new.

As I write this, I’m preparing for my fourth visit to the festival on Friday, June 19 to see the play my father could not read or write by Kevin Powell. After three consecutive weeks of memorable performances, I’m excited to see what the next evening will bring.

Kevin Powell – Photo Credit: Evangeline Lawson

If you’re looking for a unique cultural experience in New York City, I highly recommend checking out the Downtown Urban Arts Festival before the season concludes. Supporting festivals like DUAF means supporting artists, storytellers, and the continued growth of diverse voices in the performing arts.

For more information about upcoming performances, tickets, and the festival schedule, visit the Downtown Urban Arts Festival website. You may just discover your next favorite playwright, performer, or production.

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Chanel Ali: Relative Stranger – A Hilarious Solo Journey at SoHo Playhouse

Photo by Alexandria Genova

New York, NY — I had the privilege of attending Chanel Ali’s off-Broadway debut at SoHo Playhouse with her powerfully personal solo show, “Relative Stranger.” Making her theatrical debut after establishing herself in the stand-up comedy world, Ali delivers what can only be described as a masterclass in vulnerability wrapped in razor-sharp humor.

Photo by Michael Gebhardt

“Relative Stranger” isn’t your typical comedy show—it’s a deeply personal excavation of identity, family trauma, and the unexpected ways our past can resurface when we least expect it. Ali takes us on a journey through her tumultuous foster care childhood, her mother’s struggle with schizophrenia, and the court-ordered paternity test that introduced her to her police officer father when she was 18.

What struck me most about Ali’s performance was her incredible ability to navigate between heartbreak and hilarity without ever feeling fake or manipulative. When she quips about being “a cocoa Chanel” or shares her preference for Matilda over Annie in the fictional foster-child canon, these moments of levity feel earned rather than forced.

Photo by JT Anderson

The staging at SoHo Playhouse creates an intimate atmosphere that perfectly serves Ali’s storytelling style. She moves through the space with the confidence of a seasoned performer, drawing the audience into her world through vivid storytelling and impeccable comedic timing. There’s something deeply cathartic about watching someone transform their trauma into art that manages to be both deeply personal and universally relatable.

Ali proves herself to be a sharp storyteller who knows exactly when to ease up on the jokes and let the inherently gripping nature of her story speak for itself. The show becomes a meditation on what it means to search for family, identity, and belonging—themes that resonate long after the final bow.

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“Lili/Darwin” – A Poetic Solo Show of Trans Identity- NYC

New York, NY — I had the opportunity to attend Lili/Darwin, a powerful solo performance, at The Tank. This show was written and performed by the talented Darwin Del Fabro. I first discovered Darwin from the queer slasher horror film They/Them, and was thrilled to be invited to this show. If you didn’t have the chance to see Lili/Darwin yet, it runs through August 23, 2025 so you still have time to check it out!

Lili/Darwin brilliantly merges two intimate journeys: that of Darwin Del Fabro, and of Lili Elbe—the transgender artist whose diaries from 1907-1930 inspired the narrative. If you know who Lili is prior to the show, you’ll love the pieces of history from her diaries sprinkled throughout the show. If you don’t know who Lili is, this is a great introduction! Darwin portrays Lili and herself with sensitivity and strength, moving seamlessly between eras, personas, and emotional landscapes.

Let’s talk about the staging: it was cool to see how the identities were differentiated in a visual manner— Lili Elbe appears on one side with a vintage chair, Darwin on the other with a stool. There were also moments where the lines were blurred. It was visually stunning and I loved the use of lighting and shadow underscore shifts in mood. My eyes were also drawn to the beautiful Dior heels as a symbol of femininity.

The show was brimming with emotional honesty and I felt myself tear up multiple times during the performance. At its core, Lili/Darwin is a testament to the power of authentic storytelling. It’s a deeply personal tribute to visibility, resilience, and the often-overlooked courage of trans narratives—spoken directly by a trans artist herself.

Details & Ticket Info

  • Where: The Tank, 312 W 36th St, New York, NY 10018
  • When: Performances are Thursday to Saturday evenings through August 23, 2025.
  • Tickets: Available here.

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