Chanel Ali: Relative Stranger – A Hilarious Solo Journey at SoHo Playhouse

Photo by Alexandria Genova

New York, NY — I had the privilege of attending Chanel Ali’s off-Broadway debut at SoHo Playhouse with her powerfully personal solo show, “Relative Stranger.” Making her theatrical debut after establishing herself in the stand-up comedy world, Ali delivers what can only be described as a masterclass in vulnerability wrapped in razor-sharp humor.

Photo by Michael Gebhardt

“Relative Stranger” isn’t your typical comedy show—it’s a deeply personal excavation of identity, family trauma, and the unexpected ways our past can resurface when we least expect it. Ali takes us on a journey through her tumultuous foster care childhood, her mother’s struggle with schizophrenia, and the court-ordered paternity test that introduced her to her police officer father when she was 18.

What struck me most about Ali’s performance was her incredible ability to navigate between heartbreak and hilarity without ever feeling fake or manipulative. When she quips about being “a cocoa Chanel” or shares her preference for Matilda over Annie in the fictional foster-child canon, these moments of levity feel earned rather than forced.

Photo by JT Anderson

The staging at SoHo Playhouse creates an intimate atmosphere that perfectly serves Ali’s storytelling style. She moves through the space with the confidence of a seasoned performer, drawing the audience into her world through vivid storytelling and impeccable comedic timing. There’s something deeply cathartic about watching someone transform their trauma into art that manages to be both deeply personal and universally relatable.

Ali proves herself to be a sharp storyteller who knows exactly when to ease up on the jokes and let the inherently gripping nature of her story speak for itself. The show becomes a meditation on what it means to search for family, identity, and belonging—themes that resonate long after the final bow.

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“Lili/Darwin” – A Poetic Solo Show of Trans Identity- NYC

New York, NY — I had the opportunity to attend Lili/Darwin, a powerful solo performance, at The Tank. This show was written and performed by the talented Darwin Del Fabro. I first discovered Darwin from the queer slasher horror film They/Them, and was thrilled to be invited to this show. If you didn’t have the chance to see Lili/Darwin yet, it runs through August 23, 2025 so you still have time to check it out!

Lili/Darwin brilliantly merges two intimate journeys: that of Darwin Del Fabro, and of Lili Elbe—the transgender artist whose diaries from 1907-1930 inspired the narrative. If you know who Lili is prior to the show, you’ll love the pieces of history from her diaries sprinkled throughout the show. If you don’t know who Lili is, this is a great introduction! Darwin portrays Lili and herself with sensitivity and strength, moving seamlessly between eras, personas, and emotional landscapes.

Let’s talk about the staging: it was cool to see how the identities were differentiated in a visual manner— Lili Elbe appears on one side with a vintage chair, Darwin on the other with a stool. There were also moments where the lines were blurred. It was visually stunning and I loved the use of lighting and shadow underscore shifts in mood. My eyes were also drawn to the beautiful Dior heels as a symbol of femininity.

The show was brimming with emotional honesty and I felt myself tear up multiple times during the performance. At its core, Lili/Darwin is a testament to the power of authentic storytelling. It’s a deeply personal tribute to visibility, resilience, and the often-overlooked courage of trans narratives—spoken directly by a trans artist herself.

Details & Ticket Info

  • Where: The Tank, 312 W 36th St, New York, NY 10018
  • When: Performances are Thursday to Saturday evenings through August 23, 2025.
  • Tickets: Available here.

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🏳️‍🌈 Celebrate PRIDE: Nymphia Wind’s “BANANAS?” at The Town Hall NYC 🍌

I wore yellow to match the bananas 🍌

Last night, The Town Hall was transformed into a vivid explosion of drag artistry for Nymphia Wind’s debut NYC show, BANANAS?. The Town Hall, founded in 1921 by suffragists, has hosted historic performances—from Marian Anderson’s New York debut to Langston Hughes’ discussion on how “the Race Question” should be handled in America. Last night, it carved a new chapter into its legacy—ushering in a bold, unapologetic celebration of queer, Asian drag at a moment when visibility matters more than ever.

Fresh off winning season 16 of RuPaul’s Drag Race, Taiwanese drag queen Nymphia Wind brought her theatrical vision to the stage at the historic Town Hall. The show highlighted Asian drag voices in both local and international talent. The lineup of supporting performers included drag artists Angel Au, Felicia Oh, Shia Ho, Chiang Weiii, Hibiscus, Draggy Boo Boo, and Hannah Monina, as well as dancers Fiona Tsang, Rio Kikuchi, Jeffrey Pelayo, and Klint Dimpas. Hosted by veteran drag queen Sequida Hall, the evening struck the perfect balance between theatrical spectacle and intimate connection with the community.

Nymphia Wind drew on a rich palette of creative influences—from Peking opera to avant-garde performance artists and pop music icons. The variety of different styles was vividly on display: bold visual art, inventive choreography, awe-inspiring costumes, and moments that veered into the territory of living art installations. The stage even erupted with bananas literally catapulting into the audience. Yes– actual bananas, banana snacks, inflatable bananas, and more. The air was filled with irrepressible queer joy.

Nymphia Wind’s BANANAS? wasn’t just a drag show—it was a fierce proclamation of joy, resilience, and identity. And of course, the show was utterly bananas. 🌈

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